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Increasingly films are being made in Telugu keeping the hero's image and fans in mind.
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The film scored well on the technical front. Nagineedu and Suhasini had minor roles which they carried off well.ĭevisprasad's music was in tune with the story. Brahmanandam as Recovery Ranjith was effective in breaking the monotony. The role Tanikella Bharani plays was not suited to an artiste of his calibre. Abhimanyu Singh played an impactful Siddappa Naidu though he was pretty sober compared to his previous baddie roles. Though Shruti Haasan didn't have much of a role, she has left her mark. Since the film rides on Pawan Kalyan it was imperative for him to perform well. The climax could have been tackled better. The dialogues have punch, though the censors have been busy cutting out bits. In fact, there is quite a bit of cinematic licence in the way the police are depicted.īhagyalakshmi's character is not so well etched and neither is Ajay's (who plays Gabbar's younger brother). The second half tends to drag with the addition of scenes like the antakshari in the police station (unimaginable in reality). The film has the right dose of the staple ingredients- action, comedy, romance, and songs, including an item number ( Kevu Keka) performed by Malaika Arora Khan. The love interest is provided by Gabbar falling in love with Bhagyalakshmi (Shruti Haasan). Here he encounters Siddappa Naidu (Abhimanyu Singh) who harasses the villagers and commits various atrocities.Įssentially the film is about the struggle between Gabbar Singh and Siddappa Naidu. Gabbar Singh grows up, becomes a cop and returns to his village on a posting. His father died when he was three years old and his mother (played by Suhasini) marries Nagineedu who has an infant son. Venkatrathnam Naidu (Pawan Kalyan), an avid watcher of Sholay, loves the villain in it Gabbar Singh (played by Amjad Khan) and so called himself by that name when he was young (played by Akash, Puri Jagannath's son). It's distinctly a Pawan Kalyan film made for the hero by a director who seems to be in awe of him. One cannot say Gabbar Singh is said to be a remake of the Hindi film Dabang but director Harish Shankar while sticking to the main plot, has adapted it considerably and made it look like a different product. Radhika Rajamani says Gabbar Singh is entertainment unlimited for Pawan Kalyan's fans.